

Presented in two long bladder-challenging acts, made even longer by original director Francesca Zambello’s choice to include every one of the extended dance numbers that many choose to cut, the “hierophiti” production rarely left the eye wanting. Distinguished by a wondrous Egyptian hieroglyph meets hip-hop graffiti production that was stronger on color and interior design than authenticity, designer RETNA’s sets, executed by Michael Yeargan, created a striking backdrop for singing that, for the most part, touched the greatness that makes opera grand. Student tickets are not available in the Dress Circle, Orchestra Center Aisle, and $25 Second Tier seating sections.One of the grandest of the grand love triangle operas, Verdi’s Aida opened at Seattle Opera on Saturday. Limit four $15 student tickets for each full price adult ticket purchased. Adult and $15 tickets must be in the same seating zone. At least one full-price adult ticket to the same performance must be purchased with EVERY student ticket order.

*Please note: Valid student ID or proof of age is required for entry. The high-stakes love triangle between a prisoner of war, a conflicted military commander, and a formidable princess unfolds amid glorious spectacle and rousing choruses-including the famous Triumphal March.ĭirector Francesca Zambello's "spectacular" ( Opera Warhorses) new-to-Seattle production features choreography by contemporary dance leader Jessica Lang, as well as designs by "art world superstar" ( San Francisco Chronicle) RETNA, who cites the structure of Egyptian hieroglyphs as the basis for his striking visuals.

Wondering if this opera appropriate for your children? LEARN MOREĪ profoundly personal love story told on a grand scale, Aida showcases Verdi's power to translate human emotions into magnificent music. Sunday, at 2:00 PM is Family Day at Aida! For this specially designated performance, students age 18 and under pay only $15 for almost any seat.* Family Days also feature special student-oriented activities during intermission.
